{"id":913,"date":"2019-02-05T16:13:00","date_gmt":"2019-02-05T16:13:00","guid":{"rendered":"https:\/\/thestorage.fr\/?page_id=913"},"modified":"2019-10-18T15:06:42","modified_gmt":"2019-10-18T15:06:42","slug":"tom-wesselmann","status":"publish","type":"page","link":"https:\/\/www.thestorage.fr\/en\/les-artistes\/tom-wesselmann\/","title":{"rendered":"Tom WESSELMANN"},"content":{"rendered":"

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TOM WESSELMANN<\/span><\/strong><\/h4>\n

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Tom Wesselmann was born in Cincinnati, Ohio, on the 23rd<\/sup> of February 1931. He attended Hiram College in Ohio from 1949 to 1951 before entering the University of Cincinnati. In 1953 his studies were interrupted by a two-year enlistment in the army, during which time he began drawing cartoons. He returned to the university in 1954 and received a bachelor\u2019s degree in psychology in 1956; during this time, he decided to pursue a career in cartooning and so he enrolled at the Art Academy of Cincinnati. After graduation he moved to New York City, where he was accepted into the Cooper Union and where his focus shifted dramatically to fine art.<\/p>\n

Wesselmann became one of the leading American Pop artists of the 1960\u2019s, rejecting the abstract expressionism in favor of the classical representations of the nude, still life, and landscape. He created collages and assemblages incorporating everyday objects and advertising ephemera in an effort to make images as powerful as the abstract expressionism he admired. He is perhaps best known for his Great American Nude series with their fat forms and intense colors.<\/p>\n

In the 1970\u2019s, Wesselmann continued to explore the ideas and media which had preoccupied him during the Sixties. Most significantly, his large Standing Still Life series, composed of free-standing shaped canvases, showed small intimate objects on a grand scale. In 1980, Wesselmann, using the pseudonym Slim Stealingworth, wrote an autobiography documenting the evolution of his artistic work. He continued exploring shaped canvases and began creating his works in metal. He instigated the development of a laser-cutting application, which would allow him to make a faithful translation of his drawings in cut-out metal. The 1990s and early 2000s saw the artist expanding on these themes, creating abstract three-dimensional images that he described as \u201cgoing back to what I had desperately been aiming for in 1959\u201d.<\/p>\n

Wesselmann worked in New York City for more than four decades. He lived in New York City with his wife, Claire, daughter Jenny and Kate and son Lane. He died there on December 17, 2004.<\/p>\n

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